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GENG222: GENRES (section 1, class number 15925, meeting time MWF 10:10-11:00) |
| Professor: EMAIL: Office: |
Prof. Sharon Cote cotesa@jmu.edu Keezell 209, Ext. 82510 |
Availability: | I am available during my office hours and by appointment. |
Description: In this course we will focus on a humanistic examination of some major philosophical and social themes in speculative fiction. Also, while reading and discussing this diverse collection of both relatively contemporary and more historical works that may be categorized as "speculative," we will be led to consider the cultural factors that influence ideas about genre, about literary "greatness," and about canonicity in the humanities. More generally, we'll challenge our own first responses to readings and hone our ability to evaluate literature and its potential as a gateway to new ideas and insights. We'll explore some connections between literary works and other creative works and/or intellectual pursuits. Finally, through these efforts, we'll work on improving our basic ability to approach ANY text (ie. not just "literature") and, in fact, any communicative act critically, developing basic vocabulary and skills in the techniques of such analyses.
Required novels, including ISBN numbers: (Note -- If you choose to get other editions of any of these texts, you should be aware that page numbers for syllabus references and class discussions may not correspond. )
Beukes, Lauren. Moxyland. Angry Robot, ISBN 0857660047.
Bryant, Dorothy. The Kin of Ata are Waiting For You. Random House, ISBN 0679778438
Card, Orson Scott. Ender's Game. Mass Market Paperback, ISBN 0812589041.
Dick, Phillip K. Do Androids Dream of Electric Sheep?. ISBN 9780345404473.
McCarthy, Cormac. The Road. Vintage Books, ISBN 978-0-307-27792-3.
Stephenson, Neal. Snow Crash. Bantam Doubleday Dell, ISBN 0553380958.
(One additional novel may be chosen by the class as its "class choice" reading.)
Recommended references:
A good, comprehensive dictionary-- You are expected to look up the meaning of any words in our reading with which you are unfamiliar before class discussion. (There is also a link to the OED online at the bottom of this webpage.)
A writing guide such as the MLA Handbook that includes citation guidelines. (There is also a link at the bottom of this webpage to the JMU library's page with a few MLA citation style examples.)
Additional required readings:
Short stories and supplemental materials will be made available online on Blackboard (under the course documents heading for our course) and/or be distributed in class. Check the "readings" section of the syllabus regularly for new readings.
Work, Grading, and Attendance: Assignments (12%), Two Papers (22% each), Midterm (22%), Final (22%).
All work must be submitted on time and in-class and all exams must be taken at scheduled times unless I determine that your circumstances warrant an alternative accommodation. ( You must make requests in advance when at all possible and as soon as possible in other, extraordinary circumstances). All papers and exams must be submitted to pass this course unless, again, I determine that it is appropriate to make an accommodation.
Attendance at regular classes is strongly recommended but not absolutely required, unless I inform the class in advance of a special case.
About assignments --
First, GENG222 is designated as a "writing infused" course. This means students must be required to write a minimum of 5000 words. In this particular course, in addition to the writing assigned as formal papers and as essay components of the midterm and final exams, writing will also occur very regularly in a variety of at-home and in-class assignments.
At-home assignments (i.e., ones you bring to class already completed), depending on their size, will be announced at least one class period before they are due and will be posted as links at the bottom of this webpage no later than the evening of that same day. These assignments must be typed unless otherwise specified. Note that assignment links are named and ordered by the date they are due. If you miss a class, you are responsible for checking these links and doing any assignment due the next class period.
Some additional assignments will also be done in-class, and these may not be announced in advance. Make-ups for these in-class assignments may be made available, at my discretion, for excusable absences.
In general, while I collect and look at both at-home and in-class assignments, they will be graded only as an acceptable effort (full credit) or an unacceptable effort (no credit). In other words, you won't be penalized for incorrect information or writing mistakes, but you must (of course!) make a careful attempt at all parts of the assignment to get credit. You are allowed to miss or skip one assignment (but not one directly related to one of the graded papers or otherwise described as required) without affecting your overall assignment grade.
Notes:
In addition to being a 200-level course for English majors, this course also fulfills the General Education literature course requirement (cluster two, group three). As part of JMU's commitment to the idea that some breadth in the humanities is expected of anyone holding a university degree, every undergraduate JMU student must take at least one literature course. The shared academic objectives that shape this requirement regardless of which particular literature course a student chooses to take are described here.
Of course, all your work for this course is also subject to the JMU Honor Code.
If you are not very familiar with the details of this honor code, you should review it before any assignments are due. I take academic integrity very seriously. If you have any uncertainty about plagiarism or any other aspects of the honor code relevant to this course, see me for clarification.
Finally, please read the course policies page for additional details about grading and other issues.
Daily Schedule: This is a tentative schedule for what will
be discussed in each class period, for when papers will be due, and for when exams will be given. You should have readings done BEFORE
the class date on which they will be discussed. The topics listed are designed to give you perspective for your reading and
to help begin class discussions. Topics, short story choices, supplemental readings, and paper and exam dates may be modified to
support the direction and duration of class discussions, so check this schedule frequently. (Schedule changes may also need to be made for
snow days or other unforeseen events.) Links to smaller assignments, with their due dates, will be posted below this schedule throughout the semester.
| Date | Topic | Reading |
|---|---|---|
| 1/9 | Introduction to the course: What is "Speculative Fiction"? What is a "Great Work"? Why would we care? | In class: "They're Made Out of Meat" |
| 1/11 | Life, Death, and the Story | "Death and the Librarian" |
| 1/13 | What it is to be Human | Do Androids Dream... -- through Chapter 4, including introduction |
| 1/16 | NO CLASS -- MLK, JR. DAY | |
| 1/18 | Nature and Alienation | Do Androids Dream -- through Chapter 12 |
| 1/20 | Nature vs. Nurture | "The Small Assassin" |
| 1/23 | Man and/as Animal | Do Androids Dream -- Full Novel |
| 1/25 | History of Science Fiction in America | "Reason" |
| 1/27 | Nature vs. Nurture | Ender's Game -- through Chap. 7 |
| 1/30 | Moral Responsibility | Ender's Game- through Chap. 11 |
| 2/1 | Heroes, Friends, and Enemies | Ender's Game- through Chap. 13 |
| 2/3 | Reality, Perspectives, Games (and paper topics discussion) | Ender's Game-- complete novel |
| 2/6 | Good Intentions? | "Rappaccini's Daughter" |
| 2/8 | The Unlikable Protagonist? | The Kin of Ata are Waiting for You, through the top two lines of page 73 |
| 2/10 | DEBATE -- "Being Human" | |
| 2/13 | Myth and Feminist Vision | The Kin of Ata are Waiting for You, through the middle of page 155 |
| 2/15 | Atonement and Self-Actualization | The Kin of Ata are Waiting for You, remainder |
| 2/17 | Apocalypse and the Human Spirit | The Road, through top half of page 130 |
| 2/20 | The Old Guy, good fortune, and the road | The Road through page 215 |
| 2/22 | About Utopias, Dystopias, and Apocalypses (revised due date for first paper) | |
| 2/24 | Hope, Faith, or None of the Above | The Road, remainder |
| 2/27 | Laughing instead of Crying | "Harrison Bergeron" |
| 2/29 | MIDTERM | |
| 3/2 | The Fall from Grace? - perspective | "Murder Mysteries" |
| 3/5 | SPRING BREAK! | |
| 3/7 | SPRING BREAK! | |
| 3/9 | SPRING BREAK! | |
| 3/12 | More on genres - plus the possible end of the world w/unicorns, chess, and beer | "Unicorn Variations" |
| 3/14 | Social Transformation and Science Fiction without Science | "The Rock that Changed Things" |
| 3/16 | Magical Realism and the Power of Words | "Two Words" |
| 3/19 | Point of View | "A Very Old Man with Enormous Wings" | 3/21 | What is Real? | "Walimai" |
| 3/23 | Details, utilitarianism and aesthetics | "Driftglass" |
| 3/26 | Cyberpunk plus Pizza Delivery | Snow Crash- through Chap. 5 (pg 44 in Spectra Edition) |
| 3/28 | Cyberpunk and Impacts of Technology | Snow Crash- through Chap. 14 (pg 121 Spectra Edition) |
| 3/30 | Social Changes | Snow Crash - through Chap. 29 (pg. 227 Spectra) |
| 4/2 | Science and Myth | Snow Crash - Through Chapter 47 (pg. 346 Spectra) |
| 4/4 | catch up day -- no class | keep reading Snow Crash |
| 4/6 | Language, Information, Perpective | Final Discussion of Snow Crash - whole novel |
| 4/9 | Taking the Good with the Bad? (Plus paper topics discussion) | "The Bottle Imp" |
| 4/11 | Post-Cyberpunk? | Moxyland through p. 78 (end of first "Lerato" chapter) |
| 4/13 | Defining Oneself | Moxyland through p. 156 (end of a "Tendeka" chapter) |
| 4/16 | **NO CLASS ** (BUT NOTE THAT SUGGESTED READING PACE IS UNCHANGED) | Moxyland through p. 272 (end of a "Toby" chapter) |
| 4/18 | Coming of Age in a dystopia? | Moxyland FULL NOVEL |
| 4/20 | Walking Myths | The Minotaur Takes a Cigarette Break through page 70 |
| 4/23 | Class Choice Discussion | The Minotaur Takes a Cigarette Break through page 163 |
| 4/25 | Class Choice | The Minotaur Takes a Cigarette Break thrugh page 240 |
| 4/27 | Our Connection(s) to the Fantastic and Final Words... **SECOND PAPER DUE** | The Minotaur Takes a Cigarette Break Final pages |
| 5/2 (WEDNESDAY) | FINAL EXAM 8:00-10:00 regular class location (Confirm this date and time on the office JMU final exam schedule.) |
"The man who doesn't read good books has no advantage over the man who can't read them." Mark Twain
Look Here for At-Home Assignments and Information:
LOOK HERE FOR FINAL EXAM EXTRA CREDIT OPTIONS:Final Extra Credit Options
LOOK HERE FOR INFORMATION ON TOPICS AND GUIDELINES FOR THE SECOND PAPER: Second Paper Topics and Guidelines
LOOK HERE FOR INFORMATION ON TOPICS AND GUIDELINES FOR THE FIRST PAPER: First Paper Topics and Guidelines